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Royal Classics Strings

 

 

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The music summer festival GitarISTRA - guitar virtuoso Saša Dejanović & friends", is divided in 2 programmes "The Sea & Guitars" dedicated to classic guitar as solo guitar or together with other instrumens: string quartet, violin, flute, cello, xylophone, voice, and many other interesting combinations of instruments and the programme "Vrsar Serenade" that under the slogan "Global Guitar", bridges other guitar stiles, from jazz to flamenco, latin, ethno and rock.

The Festival was founded in 2003 by guitarist Saša Dejanović at the small medieval town of Vrsar on the west coast of Istria. The town, beloved by artists, happens to be located on the one of the most beautiful archipelagos of the Mediterranean. The concerts of the programme "Sea & Guitars" take place in ancient romanesque basilica of St. Mary of the Sea (11th century) and the concerts of the programme "Vrsar Serenade" take place on marvellous Viewing Terraces in old town of Vrsar from 20th June till 5th September. This Festival is organized by the Tourist board of Vrsar, with the support of the Republic of Croatia Ministry of Culture , Maistra d.d. Rovinj - Vrsar, Municipality and Parochial Office of Vrsar, Östereichische Kultur Forum, Lions Club Poreč ("Lions Club Poreč Young Guitarist Pricz") and "RC Strings". Their promotion and generous help has made it possible for many to enjoy the events.

In the previous years different artists from Tokyo, New York, Madrid, Seville, Cologne, Genoa,Turin, Wroclaw, Prag, Berlin, Graz, Sarajevo, Ljubljana, and Zagreb gathered together and performed in front of more than 10000 strong audience. The concerts have acquired a great interest by the media (television: HRT, RTL, Nit; radio: Radio Istra, Radio Pula; newspapers: Glas Istre, Slobodna Dalmacija, La Voce de popolo).

Festival GitarISTRA 21st "Sea & Guitars" 2024

Basilica St.Mary of the Sea - Vrsar Harbour 9:00 p.m.

4.7.

Opening of 21st Festival GitarISTRA 2024

Hommage a Fedor Džamonja

SAŠA DEJANOVIĆ (Croatia) - spanish & romantic guitar

11.7.

Guitar Quartet Evening

Croatian Guitar Quartet


ZORAN DUKIĆ, PETRIT ÇEKU, MAROJE BRČIĆ, TVRTKO SARIĆ

18.7.

Solo Guitar Night

ROBERTO TASCINI (Italy)

25.7.

Oboe & Guitar Night

ZOLTÁN HORNYANSZKY (Hungary) oboe ISTVÁN RÖMER (Croatia) guitar

*sponsor Republic of Croatia Ministry of Culture

1.8.

Candlelightsficus - Jazz Night on Bellvedere Casanova - Vrsar old Town


* Collaboration Austrian Culture Forum - Zagreb

8.8.

Mezzo Soprano & Guitar Evening

KATJA MARKOTIĆ (Croatia) mezzosoprano - ALEJANDRO CORDOVA (Mexico) guitar


22.8.

Solo Guitar Evening

ALESSANDRO DEIANA (Italy) guitar

29.8.

Lions Club Poreč Young Guitarist Prize

STAŠ ČAKŠ (Slovenia) guitar

*Collaboration Dnevi Kitare Krško
*sponsor Lions Club Poreč


 

Programme:2023,2022,2021, 2020, 2019,2018,2017, 2016, 2015, 2014, 2013, 2012,2011,2010, 2009, 2008, 2007, 2006, 2005,2004,2003,

Romanesque Basilica of St. Mary of the Sea

Romanesque Basilica of St. Mary of the Sea

In the Vrsar harbour there is a very interesting medieval monument: the Romanesque basilica of St. Mary of the Sea. The basilica represents an outstanding monument of the Romanesque architecture in Istria. Its history is long and curious. In Roman times some large building (maybe "villa rustica" - a country house with farm buildings) was standing on that place. The original and modest church of St. Mary was built on that spot in the early Middle Ages (second half of the 8th century). Between the 8th and the 12th century the original church was repeatedly reconstructed. Its present-day architectural and artistic appearance is dating from the 12th century.

Traces of the reconstructions can still be seen on the walls. In recent years the church was renovated several times (last renovation in 1969). As to its architecture. the quite monumental basilica (24.5m x 12,5m) reminds of Old Christian churches. The Croatian art historian Ljubo Karaman (1881-1971) wrote about this basilica: "Vrsar has a wide three-nave Romanesque basilica on columns. which has preserved its original impression of a church having atmosphere of simple Old Christian buildings''. The facade is pretty plain. There is a round window (oculus) on it. On the east side there is a simple belfry formed like a Romanesque monofora (one arch for the bell). In the belfry is a little bell dating from 1922. made in the bell foundry Lapagna in Triest.

Semidark interior is very impressive. It is divided into three naves by heavy Romanesque arches and monolithic round columns. On each side there are three columns with interesting capitals of the Romanesque style, decorated with floral motifs (palms). The capitals are rounded off in the lower part and square on the top. Eastern part of the church interior ends in three apses.

The church floor is not original. It has been raised, therefore the columns seem to be too short. In this way the primary Romanesque harmony of the church interior has been disturbed. In the past the floor was covered with sepulchral slabs provided with Latin texts. One such slab has been preserved in the church presbytery. A procurator of the Franciscan monastery named Simon of Bosnia, who lived in the 17th century and in the spirit of Christian philosophy had a pessimistic view of life, had his and his wife's slab engraved with the following Latin text:
SEPVLCRUM. D.(omi)NI. SIMONIS BOSNENSIS. PRO(curi) TORIS. FRA(tr)VMORDINIS. MINORVM. S(ancti). FRAN(cis) CIET. VXORIS. EIVS. SIMONAE DOMVS. DIVITAE. LOCVS. MISARIAE REFVGVIM. SVPERBIAE. (Grave of Simon of Bosnia, procurator of the order of St. Francis's Minor Brethren, and his wife Simone. House of life - place of misfortune and refuge of arrogance.

Interior walls were decorated with polychromatic religious frescoes, first of which were painted in the 9th or 10th century. In the first half of the 16th century some native artist painted the interior again with high-quality frescoes. Although very poor traces have been preserved, some of the frescoes can still be seen on the main apse wall (Saints' heads). Once the basilica was equipped with a rich artistic inventory (statues, paintings etc.) Today the church looks empty and miserable. The wooden statue of the Gothic Madonna dating from the 14th century, which had belonged to this church, was stolen from the parish church of St. Martin some 20 years ago. Paintings made by old Venetian masters have also disappeared. Only the painting representing the Madonna and the Saints is still kept in the church. On it there is a signature VITORIO JERALTA. In 1177. travelling from Venice to Ancona. the pope Alexander III stayed in Vrsar for three days and celebrated the Mass in this basilica.

Next to the church there used to be an old graveyard. Some traces of it have remained by the northern backyard wall. In 1900 a new cemetery was made outside the town, by the road leading to Funtana. In the church-yard, right of the south portal, there is a classical Roman stone block, decorated with garlands (wreaths made of leaves and fruits) hanging on the horns of ox skulls. The stone was discovered in 1932 near the small village Valkanela, not far from Vrsar. It belonged to a Roman country house ("villa rustica") from the 12th or 13th century. Right by the basilica there are remains of an old monastery. In written documents the monastery was mentioned for the first time in the second half of the 12th century (1177) under the name "Prioratum Sanctae Mariae". However, it is not certain whether the monastery really existed at that time. A more reliable document dates from the year 1227. The first monks in the monastery were the Carmelites (named after the Mount Carmel in Palestina) who. persecuted by the Turks and the Arabs travelled through Cyprus and Sicily and arrived to Europe. The Carmelites settled down in Vrsar either at the end of the 11th century or at the beginning of the 12th century and founded their monastery here. With some interruptions the Carmelites lived in the monastery till the middle of the 14th century. In the second half of the 17th centurv (about 1631) the Franciscans came to the monastery and stayed here up to 1660. when it was closed due to a conflict between the monks and the Poreč Bishop Gianbattista de Giudice. The matter in dispute was ownership of monastery possessions (in a quarrel the monks killed the Bishop's nephew). The Franciscans renovated the old monastery building in the Baroque style. In the ground floor there were wine-press, olive-mill and store-rooms for agricultural products. After the Franciscans had left.for some time (till 1732) the seminarium (school for priests) was held in the monastery. The facade dating from the 17th century has been preserved till the present days.

Vrsars Viewing Terraces

Viuving terace

Vrsar has stood on a prominent hill overlooking the Adriatic coast since the Middle Ages. This position has given birth to extraordinary positions from which one can observe the surrounding islands, islets, bays and coves.

The largest of all viewing terraces can be found just below the Church of St. Anthony of Padua, below the Small Gate of Vrsar from where it affords a wide view towards the south-west. It is one of the oldest and most spacious viewing terrace of Vrsar. Protected by the shade of the trees and featuring a stone table, a bench and a traditional Istrian cistern, it hides in its background an intimate ambience of the small square spreading in front of the Small Gate and the Church of St. Anthony of Padua.

The second viewing terrace is just behind the Parish Church of St. Martin and boasts the view towards the north, of Valkanela and the archipelago of Funtana. This tiered viewing terrace simply invites numerous tourists to sit down on the stairs and stay for a while.

Only a dozen metres below there is a tiny viewing terrace called Bepo and Tonina (Joe and Tonia) enjoying the view of the north-west. The viewpoint is rather impressive owing to the stylised sculpture of man and woman forming the back of the bench.

Vrsar also boasts the Casanova Viewing terrace with a view of the Vrsar port, the marina and the Sveti Juraj Island. This viewing terrace is also embellished by a sitting bench in Istrian stone as an artwork. An old wall adds to the ambience embroidered with Istrian stone, while the tree planted in the middle of the viewpoint gives shade in summer months offering comfort to the passers by.

VRSAR SERENADE 2024 -

The summer serenades are an ancient mediterranean art of expressing love with music. This musical programs present an interesting way to revitalise beautiful scenarios of old town of Vrsar and it marvellous Viewing Terraces.


17.7."Brasilian & Argentinian Serenade"


Bellvedere Casanova - old town 20:30

DILENE FERRAZ (Brasil) - voice & SERGIO FABIAN LAVIA (Argentina) - guitar


31.7."Romantic Spanish Serenade"


Bellvedere Bepo & Tonina 20:30

SAŠA DEJANOVIĆ (Croatia) - guitar


14.8."Arpeggione Serenade"


Bellvedere Casanova - old town 20:30

PETAR NJEGOVAN - viola & SAŠA DEJANOVIĆ (Croatia) - guitar


28.8."Evening Serenade"


Bellvedere Bepo & Tonina 20:30

SAŠA DEJANOVIĆ (Croatia) - guitar & guests









11 Editions of "Vrsar Serenade" Concerts on Vrsar's Viewing Terraces (2011-2023)

History

The Festival was founded in 2003 by guitarist Saša Dejanović at the small medieval town of Vrsar on the west coast of Istria. This Festival is organized by the Tourist board of Vrsar, with the support of the Republic of Croatia Ministry of Culture , Maistra d.d. Rovinj - Vrsar, Municipality and Parochial Office of Vrsar, Östereichische Kultur Forum and Lions Club Poreč ("Lions Club Poreč Young Guitarist Price"). Their promotion and generous help has made it possible for many to enjoy the events.

In the previous years different artists from Tokyo, New York, Madrid, Seville, Cologne, Genoa,Turin, Wroclaw, Prag, Berlin, Graz, Sarajevo, Ljubljana, and Zagreb gathered together and performed in front of more than 10000 strong audience. The concerts have acquired a great interest by the media (television: HRT, RTL, Nit; radio: Radio Istra, Radio Pula; newspapers: Glas Istre, Slobodna Dalmacija, La Voce de popolo).


2022 - 19th Festival Gitaristra
"The Sea and Guitars 2022" 8 concerts - programme
"Vrsar Serenade 2022" 4 concerts - programme

2021 - 18th Festival Gitaristra
"The Sea and Guitars 2021" 4 concerts - programme

2020 - Virtual Festival Gitaristra
"The Sea and Guitars 2020" 3 concerts - programme

2019 - 17th Festival Gitaristra
"The Sea and Guitars 2019" 9 concerts - programme
"Vrsar Serenade 2019" 4 concerts - programme

2018 - 16th Festival Gitaristra
"The Sea and Guitars 2018" 9 concerts - programme
"Vrsar Serenade 2018" 4 concerts - programme


2017 - 15th Festival Gitaristra
"The Sea and Guitars 2017" 9 concerts - programme
"Vrsar Serenade 2017" 4 concerts - programme


2016 - 14th Festival Gitaristra
"The Sea and Guitars 2016" 9 concerts - programme
"Vrsar Serenade 2016" 5 concerts - programme

2015 - 13th Festival Gitaristra
"The Sea and Guitars 2015" 9 concerts - programme
"Vrsar Serenade 2015" 4 concerts - programme

2014 - 12th Festival Gitaristra
"The Sea and Guitars 2014" 9 concerts - programme
"Vrsar Serenade 2014" 4 concerts - programme

2013 - 11th Festival Gitaristra
"The Sea and Guitars 2013" 9 concerts - programme
"Vrsar Serenade 2013" 5 concerts - programme

2012 - 10th Festival Gitaristra
"The Sea and Guutars 2012" 9 concerts - programme
"Vrsar Serenade 2012" 4 concerts - programme

2011 - 9th Festival Gitaristra
"The Sea and Guitars 2011" 9 concerts - programme
"Vrsar Serenade 2011" 4 concerts - programme

2010 - 8th Festival Gitaristra
"The Sea and Guutars 2010" 12 concerts - programme

2009 - 7th Festival Gitaristra
"The Sea and Guitars 2009" 11 concerts - programme

2008 - 6th Festival Gitaristra"The Sea and Guitars"
10 concerts - programme


2007 - 5th Festival Gitaristra"The Sea and Guitars"
11 concerts - programme


2006 - 4th Festival "The Sea and Guitars"
11 concerts - programme


2005 - 3rd Festival "The Sea and Guitars"
8 concerts - programme,

2004- 2nd Festival "The Sea and Guitars"
9 concerts - programme

2003 - 1st Festival "The Sea and Guitars"
8 concerts - programme,

Contact info

Please contact artistic director Saša Dejanović on E-mail: info@gitaristra.com

 

Artistic director: Saša Dejanović | Organizes by the TZO Vrsar | Web design © EyeQ Webdesign Norway